The works unfold through a reflection on the continuity of matter — from the geological memory of stone to cosmic dust and the emergence of life.
Painting becomes a field where microcosm and universe coexist without hierarchy.
Matter — whether as mineral formation or aquatic environment — is approached as a carrier of time.
The forms do not represent landscapes; they propose transitional states, situated between scientific observation and speculative imagination.
The images suggest ecosystems that could belong either to the early past of Earth or to unknown worlds.
In an era dominated by immaterial digital imagery, painting returns here as an act of reconnection with matter and time.